抽象山水|Abstract Landscape

陈净的艺术风格取决于她的艺术意志与潜在的内心要求——纯粹。她试图将官能上对山的定义、形状、印象，转化为一种精神内在，意喻人所无法通过理性和知识获得的某种类似本质的抽象感知。或许是一种意识，或许是一种哲学，一种情感……….

Holly Chan's Artistic style from her will and inner needing- purity. It is not the main note on view of landscape , but the subjective intent of the painter-that the Conception of Landscape, Spirit of Seclusion.

 In her works, the shape, image and imprssion of the mountain from the senses is  transformed  into a immanence, something similar to the Inner  essence ,perhaps philosophy, perhaps consciousness,perhaps spirits.........

      静物.器 |Still lifes

中国传统造物向来有着生命精神及象征性，陈净笔下的静物水墨，包括罐子，花瓶，茶壶等器皿题材，以拙，以朴，以诚，以无为所体现的“器以载道”、“器以藏礼”、“文质彬彬”、“物与神游”和“得意忘形”的造物艺术思想。在这种长久的静默中隐含巨大的感情，如同物语，是使得观者能够设身而体味的。她始终相信:越是静，越是有灵。

Holly Chan, As a  loner, living Wudang mountain for years , She always form those same bonds with inanimate objects but  rather animist ,  as if  a dry firewood pile, an ageless stone, a hoe, a stool , a leaf , a pot were silent friends .  she found A unique Language  Character on them,  there was a look and ceremonial manner which gave them meaning. Her artistic  style embodies the Taoist concept of “人物合一"，"借物远游” ,Esthetic Implication of "Unity" between man and thing. Everything containing in itself its Self-Consciousness.
 

     水墨人物|Taoist priest

 陈净笔下的道家人物画始终离不开她多年的山居生活。道家意识和宗教形态渗透在她的艺术语言当中。这些道家人物着墨不多，但笔墨恣意，奔放，不拘泥于琐末细节，而是突出道士的性格特征，选取最能反映道士精神状态。这些人物在他们自己的精神世界当中，不乏痞雅，玩味的态度，对烦嚣的人世间，置身度外。她强调个性与态度，他们本是山水之人。

 In her mind ,her works and mountain life  were inseparably linked , Mountain life have a great effect on her consciousness.

 Taoism consciousness in her Art Language  of The Creations of Chineses Figure Painting From Perspective of Form And Verve,While not much detail in these paintings,but stress on the personality characteristics and Attitude ,They are Chinese historical  hermit  ,  leaving trifling vicissitudes.